Henry Disney, War
is a Failure of Politics: A Collection of Poems, 2015. Pneuma
Springs Publishing
A
review by APF member, Professor Nick Megoran
Henry
Disney is a Cambridge University entomologist whose latest collection of poems
is a searing critique of the Bush-Blair era wars in Afghanistan and Iraq. Most
have been published previously, but War
is a Failure of Politics draws together his anti-war poems in a single
volume.
Central
to Disney’s anger at ‘the misguided pair’ is that ‘both believe in Christ, they
say / But both ignore his way of peace: / For both rely on force instead.’
Claims to be followers of Jesus are negated by practical worship at the shrines
of Mars and Mammon: ‘Both Bush and Blair profess belief / In God, but by their
acts it seems / They worship Mars and Market Place.’ For all his ability to see
public relations strategies, Blair is ‘blind / to Gospel’s word to use the
force / of love.’
The
core of Disney’s text is exactly this advocacy of a model of enemy love based
on Christ’s life and teaching: ‘The use / of death, as means to end, is not / a
choice in eyes of Christ, who taught / a special care for those we hate,’ and
eschewed revolutionary violence against the Roman oppressors. This is an Anabaptist-type emphasis on
Christ’s words and lifestyle as authoritative for us. This reviewer missed a
deeper theological reflection on war as a manifestation and consequence of sin
(rather than simply a ‘failure of politics’), and on the significance of the
cross and resurrection for what the New Testament calls ‘the gospel of peace.’
Nonetheless,
this is no naïve, unreflective pacifism. A number of poems anchor it in his
youthful experience fighting for the British armed forces in Cyprus: ‘my
lasting hate of war derives / from time in youth, as solider sent / to play a
minor part in fight.’ Disney saw this as a futile attempt to shore up order,
that cost lives but did nothing to prevent the eventual disintegration of the
state. He writes movingly of the ambiguity he feels of participation in Remembrance
Day events as a veteran. Anger at the Greek Church’s backing of nationalist Cypriot
violence informed his lifelong objection to the welding of church authority to
military power. Its reappearance in the ‘war on terror’ thus attracts his
particular ire throughout the book.
Nor does
the book ignore the problem of evil. Although Disney places the blame for
violence squarely at the feet of politicians and sees its solution in the
gospels, he nonetheless asks ‘so why does God withhold his might? / And why not
intervene to halt / the terror gangs before their bombs / are primed? Is
freedom such a boon / when children die?’ This question is left unanswered.
Although
the book focuses on the movement between Cyprus and the war on terror, it is
sensitive to ways in which the militaristic belief in the rightness of violence
infiltrates society. He damns the Duxford Imperial War Museum for boasting
about its ‘ghastly ordnance’ presented in beguiling slick exhibitions to
children. Likewise he takes a wry swipe at an absurdly pompous ‘classics
scholar’ who admires Rome yet is ‘blind to nasty facts behind / its ordered
state. His weighty tome / selected data most admired / ignoring trampling
legions feet.’
Henry
Disney’s poems state bold truths clearly. They are also tragically prescient,
warning of the unintended implications of ignoring Christ’s command to ‘put up
your sword.’ Disney writes that Tony Blair ‘never
paused / to contemplate the deaths and tides of hate he’d thus unleash.’ In a
poem imploring George Bush to ‘desist for all our sakes,’ he believes that ‘he
cannot see he’d light / a fuse unleashing hell,’ and warns his war would ‘trigger
chain reactions far and wide for years to come.’
On
one thing, though, Disney was wrong. He wrote that the ‘replenished hate’
produced by the UK-US wars will ‘fester down the years ahead. / But when the
seismic vents erupt / Anew our pundits will be dead.’ The dreadful eruption of
Islamic State from the seismic events of the Iraq invasion has occurred within
the lifetimes of most of the war’s cheerleaders.
Disney’s
remedy remains the same: unwavering commitment to enemy love and the ways of
peace, as exampled by Christ. Fittingly, therefore, royalties from the book are
to be donated to APF.